Stimulated Recall Interviews in Ethnography

被引:141
作者
Dempsey, Nicholas P. [1 ]
机构
[1] Dept Sociol, Eckerd Coll, St Petersburg, FL 33711 USA
关键词
Ethnographic methods; Interviewing; Interaction; Jazz; ANALYTIC AUTOETHNOGRAPHY;
D O I
10.1007/s11133-010-9157-x
中图分类号
C91 [社会学];
学科分类号
030301 ; 1204 ;
摘要
This article describes the use of stimulated recall interviews as a technique for investigating how people approach interactions in a number of different situations. In general, the technique I describe involves interviewing individuals by playing them audio or audiovisual recordings of their own behavior in social situations and discussing different aspects of those recorded interactions. Doing so can help us to understand what signals interactants understand as important, what signals they try to convey to others, and how they choose from various options to act upon the information they receive in interactions. Using the example of jazz jam sessions, I ask why it is that interactions can sometimes go smoothly and uneventfully, or sometimes break down completely. The stimulated recall interviews provide a valuable tool in helping the ethnographer to answer these kinds of questions.
引用
收藏
页码:349 / 367
页数:19
相关论文
共 45 条
[1]   Analytic autoethnography [J].
Anderson, Leon .
JOURNAL OF CONTEMPORARY ETHNOGRAPHY, 2006, 35 (04) :373-395
[2]  
[Anonymous], 2002, Action theory: A primer for applied research in the social sciences
[3]  
[Anonymous], 1980, METAPHORS WE LIVE BY
[4]  
[Anonymous], YB TRADITIONAL MUSIC
[5]  
[Anonymous], OXFORD ENGLISH DICT
[6]  
[Anonymous], 1999, INVESTIGATING COMMUN
[7]  
[Anonymous], 2003, GROUP CREATIVITY MUS
[8]   WHOSE SIDE ARE WE ON [J].
BECKER, HS .
SOCIAL PROBLEMS, 1967, 14 (03) :239-247
[9]  
Berger HarrisM., 1999, Metal, Rock, Jazz
[10]  
BERLINER P, 1994, THINKING JAZZ