The neural bases of amusement and sadness: A comparison of block contrast and subject-specific emotion intensity regression approaches

被引:103
作者
Goldin, PR
Hutcherson, CAC
Ochsner, KN
Glover, GH
Gabrieli, JDE
Gross, JJ
机构
[1] Stanford Univ, Dept Psychol, Stanford, CA 94305 USA
[2] Columbia Univ, Dept Psychol, New York, NY 10027 USA
[3] Stanford Univ, Dept Radiol, Stanford, CA 94305 USA
关键词
neural bases; amusement; sadness; emotion;
D O I
10.1016/j.neuroimage.2005.03.018
中图分类号
Q189 [神经科学];
学科分类号
071006 ;
摘要
Neuroimaging studies have made substantial progress in elucidating the neural bases of emotion. However, few studies to date have directly addressed the subject-specific, time-varying nature of emotional responding. In the present study, we employed functional magnetic resonance imaging to examine the neural bases of two common emotions-amusement and sadness-using both (a) a stimulus-based block contrast approach and (b) a subject-specific regression analysis using continuous ratings of emotional intensity. Thirteen women viewed a set of nine 2-min amusing, sad, or neutral film clips two times. During the first viewing, participants watched the film stimuli. During the second viewing, they made continuous ratings of the intensity of their own amusement and sadness during the first film viewing. For sad films, both block contrast and subject-specific regression approaches resulted in activations in medial prefrontal cortex, inferior frontal gyros, superior temporal gyrus, precuneus, lingual gyros, amygdala, and thalamus. For amusing films, the subject-specific regression analysis demonstrated significant activations not detected by the block contrast in medial, inferior frontal gyros, dorsolateral prefrontal cortex, posterior cingulate, temporal lobes, hippocampus, thalamus, and caudate. These results suggest a relationship between emotion-specific temporal dynamics and the sensitivity of different data analytic methods for identifying emotion-related neural responses. These findings shed light on the neural bases of amusement and sadness, and highlight the value of using emotional film stimuli and subject-specific continuous emotion ratings to characterize the dynamic, time-varying components of emotional responses. (c) 2005 Elsevier Inc. All rights reserved.
引用
收藏
页码:26 / 36
页数:11
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