The article analyze both the phenomenology of fashion and the idea that its style has bred over different time periods, examining some of the fashion classics employing not only a historicist criterion but also a multi-disciplinary one, keeping in mind the relationship that this phenomenon entertains with different dimensions of existence. Furthermore, the article firstly reviews the concept of style, as it has developed in modernity and contemporary times and then its aesthetic tools, such as corporeity which is used to express the individual identity, and focuses on the new type of consumerism, referred to as ???the economy of enrichment??? in the post-industrial age. The fashion-style combination will also be highlighted as a tool that contributes to the definition and representation of itself in the relational field.