The impact of pleasantness ratings on crossmodal associations between food samples and musical notes

被引:58
作者
Crisinel, Anne-Sylvie [1 ]
Spence, Charles [1 ]
机构
[1] Univ Oxford, Dept Expt Psychol, Crossmodal Res Lab, Oxford OX1 3UD, England
关键词
Crossmodal associations; Chocolate; Pitch; Musical notes; Musical instruments; TASTE; ODORS; REPRESENTATION; CRISPNESS; MAPPINGS; SOUNDS; PITCH;
D O I
10.1016/j.foodqual.2011.10.007
中图分类号
TS2 [食品工业];
学科分类号
0832 ;
摘要
Although several crossmodal associations involving taste and olfaction have been reported recently, the mechanism(s) by which they operate are still poorly understood. In the present study, we explored the role of a single parameter that has been suggested to play an important role in taste/flavour-musical note association, namely pleasantness. Chocolate was chosen as a stimulus as it elicits a wide range of pleasantness ratings (especially in the case of dark chocolate). Participants tasted three types of chocolate (dark, milk, and marzipan-filled) and had to match their flavour with a musical note (choosing both the pitch and the instrument playing the note). The results demonstrated that, while there was an overall correlation between pleasantness ratings and the chosen pitch, it disappeared when a single stimulus was considered in isolation, suggesting that pleasantness is not solely responsible for the associations between tastes/flavours and pitch. By contrast, pleasantness affects the choice of instrument even when a single stimulus is considered. The role of pleasantness in driving associations between tastes/flavours and musical notes, while important in the choice of instrument, is thus not as essential for the choice of pitch as has been suggested previously. (C) 2011 Elsevier Ltd. All rights reserved.
引用
收藏
页码:136 / 140
页数:5
相关论文
共 32 条
[1]  
[Anonymous], 2000, Collins English Dictionary Thesaurus
[2]   Synaesthesia -: When coloured sounds taste sweet [J].
Beeli, G ;
Esslen, M ;
Jäncke, L .
NATURE, 2005, 434 (7029) :38-38
[3]  
Cohen J., 1988, Statistical power analysis for the behavioral sciences, VSecond
[4]   As bitter as a trombone: Synesthetic correspondences in nonsynesthetes between tastes/flavors and musical notes [J].
Crisinel, Anne-Sylvie ;
Spence, Charles .
ATTENTION PERCEPTION & PSYCHOPHYSICS, 2010, 72 (07) :1994-2002
[5]   A sweet sound? Food names reveal implicit associations between taste and pitch [J].
Crisinel, Anne-Sylvie ;
Spence, Charles .
PERCEPTION, 2010, 39 (03) :417-425
[6]   Implicit association between basic tastes and pitch [J].
Crisinel, Anne-Sylvie ;
Spence, Charles .
NEUROSCIENCE LETTERS, 2009, 464 (01) :39-42
[7]  
Cytowic RichardE., 1993, MAN WHO TASTED SHAPE
[8]   The use of semantic differential scaling to define the multidimensional representation of odors [J].
Dalton, Pamela ;
Maute, Christopher ;
Oshida, Akiko ;
Hikichi, Satoshi ;
Izumi, Yu .
JOURNAL OF SENSORY STUDIES, 2008, 23 (04) :485-497
[9]   Cross-modal associations between odors and colors [J].
Dematte, M. Luisa ;
Sanabria, Daniel ;
Spence, Charles .
CHEMICAL SENSES, 2006, 31 (06) :531-538
[10]   Beethoven's last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context [J].
Eitan, Zohar ;
Timmers, Renee .
COGNITION, 2010, 114 (03) :405-422