The Role of Haptic Cues in Musical Instrument Quality Perception

被引:14
作者
Saitis, Charalampos [1 ]
Jarvelainen, Hanna [2 ]
Fritz, Claudia [3 ]
机构
[1] Tech Univ Berlin, Audio Commun Grp, Sekretariat E-N 8,Einsteinufer 17c, D-10587 Berlin, Germany
[2] Zurcher Hsch Kunste, ICST Inst Comp Mus & Sound Technol, Pfingstweidstr 96, CH-8005 Zurich, Switzerland
[3] Univ Paris 06, CNRS, Inst Jean Rond dAlembert, Equipe LAM Lutheries Acoust Mus,UMR 7190, 4 Pl Jussieu, F-75005 Paris, France
来源
MUSICAL HAPTICS | 2018年
基金
瑞士国家科学基金会;
关键词
VIBROTACTILE FEEDBACK; VIBRATION SENSATION; KEYBOARD VIBRATIONS; PIANO TOUCH; VIOLINS; DISCRIMINATION; FINGER; SOUNDS; TONES;
D O I
10.1007/978-3-319-58316-7_5
中图分类号
TP39 [计算机的应用];
学科分类号
081203 ; 0835 ;
摘要
We draw from recent research in violin quality evaluation and piano performance to examine whether the vibrotactile sensation felt when playing a musical instrument can have a perceptual effect on its judged quality from the perspective of the musician. Because of their respective sound production mechanisms, the violin and the piano offer unique example cases and diverse scenarios to study tactile aspects of musical interaction. Both violinists and pianists experience rich haptic feedback, but the former experience vibrations at more bodily parts than the latter. We observe that the vibrotactile component of the haptic feedback during playing, both for the violin and the piano, provides an important part of the integrated sensory information that the musician experiences when interacting with the instrument. In particular, the most recent studies illustrate that vibrations felt at the fingertips (left hand only for the violinist) can lead to an increase in perceived sound loudness and richness, suggesting the potential for more research in this direction.
引用
收藏
页码:73 / 93
页数:21
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