Noir's cars: Automobility and amoral space in American film noir

被引：6

作者：

Osteen, Mark ^{[1
]}

机构：

[1] Loyola Coll, Baltimore, MD 21210 USA

来源：

关键词：

automobiles in film; crime films; domesticity; film noir; hitchhiking; masculinity; social mobility;

D O I：

10.3200/JPFT.35.4.183-192

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

Automobiles-particularly convertibles-serve in films noir as symbols of social mobility and expanded identity, as surrogate homes and amoral spaces. The recurrent figure of the hitchhiker, however, challenges the ideology of automobility, and in certain late films noir, automobiles are linked with explosive technologies that threaten to turn humans into atomized automatons.

引用

页码：183 / 192

页数：10

共 47 条

[21]

Giddens A., 1995, CONSEQUENCES MODERNI

[22]

HILLIS K, 2005, VELVET LIGHT TRAP, V55, P1

[23]

Huston John, 1941, The Maltese Falcon

[24]

Kitses Jim, 1996, GUN CRAZY

[25]

Lackey K., 1997, RoadFrames: The American Highway Narrative

[26]

Laderman David., 2002, Driving Visions: Exploring the Road Movie

[27]

Lang Fritz., 1945, SCARLET STREET

[28]

Lewis Joseph H., 1950, GUN CRAZY

[29]

Lupino Ida., 1953, The Hitch-Hiker

[30]

Mills Kate, 2006, The Road Story and the Rebel: Moving through Film, Fiction, and Television

← 1 2 3 4 5 →