Rock Music: An Auditory Assessment of Knapping

被引:5
作者
Smith, Heather N. [1 ,2 ,3 ]
Perrone, Alyssa [4 ]
Wilson, Michael [2 ]
Raghanti, Mary Ann [1 ,2 ]
Lovejoy, C. Owen [2 ]
Rosen, Merri J. [1 ,3 ]
Shanbhag, Sharad J. [1 ,3 ]
DeForrest, David S. [5 ]
Lyman, R. Lee [5 ]
Eren, Metin, I [2 ,6 ]
机构
[1] Kent State Univ, Brain Hlth Res Inst, Kent, OH 44242 USA
[2] Kent State Univ, Dept Anthropol, 750 Hilltop Dr, Kent, OH 44242 USA
[3] Northeast Ohio Med Univ, Dept Anat & Neurobiol, Hearing Res Grp, Rootstown, OH USA
[4] Texas State Univ, Dept Anthropol, San Marcos, TX USA
[5] Univ Missouri, Dept Anthropol, 200 Swallow Hall, Columbia, MO 65211 USA
[6] Cleveland Museum Nat Hist, Dept Archaeol, Cleveland, OH USA
关键词
Stone tools; music; language; sound; knapping; experimental archaeology; STONE TOOLS; FUNCTIONAL CONNECTIVITY; OLDUVAI GORGE; SOUNDSCAPES; CEREBELLUM; PERCEPTION; EVOLUTION; LANGUAGE; PITCH; GONA;
D O I
10.1080/01977261.2021.1967581
中图分类号
Q98 [人类学];
学科分类号
030303 ;
摘要
We explore and describe the auditory landscape that emerges from stone tool making. Using two trained musicians, we identify the pitches and octaves produced from percussion knapping. We also analyze whether knapping sounds vary by raw material, knapper skill level, or by flake size. Our results show that our chosen stone material types each displayed a single fundamental pitch (E or G) with one or two additional octaves present, and each individual nodule maintained the same pitch throughout reduction. Knappers of different skills produced no differences in pitch, but there were significant differences in octaves present. Different raw materials showed significant differences in both pitch and octaves present. Flake size did not seem to influence either pitch or octaves present. The acoustic landscape resulting from knapping was certainly even more diverse than what we documented here, and likely influenced hominin stone tool production and learning, cognition, language, and music.
引用
收藏
页码:320 / 335
页数:16
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