'An Open System with an Objective External to Itself': The Rapprochement Between Danish Politics and Literature in the Golden Age of the Welfare State, 1950-1980

被引：0

作者：

Kjaeldgaard, Lasse Horne ^{[1
]}

机构：

[1] Univ Copenhagen, Soc Danish Language & Literature, DK-1168 Copenhagen, Denmark

来源：

SCANDINAVICA | 2011年 / 50卷 / 01期

关键词：

Scandinavian welfare state; Danish post-war literature;

D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

The article suggests three phases and modes in Danish welfare literature, corresponding to three contemporaneous stages of the welfare state: a phase of formulation, from 1950 to 1958, expressed in Villy Sorensen's abstract narrative art, questioning the ideals and ultimate ends of welfare society; a phase of formation, from 1958 to 1968, with new cultural landscapes, patterns of behaviour and psychological problems explored by a wave of welfare realism, represented by Anders Bodelsen's welfare-realist short stories; and a stage of crisis from 1968 and into the 1970s, fostering a kind of welfare dystopianism, the epitome of which is Henrik Stangerup's The Man Who Wanted to be Guilty.

引用

页码：9 / 26

页数：18

共 21 条

[1]

Arts W., 2007, WELFARE STATE READER, P175

[2]

Bodelsen A., 1967, RAMA SAMA

[3]

Bodelsen A., 1965, DRIVHUSET

[4]

Bomholt J., 1960, HUG PARADE TOLV INDL, P104

[5]

Chatman Seymour., 1985, ANTONIONI SURFACE WO

[6]

Christiansen NielsFinn., 2006, NORDIC MODEL WELFARE

[7]

Esping-Andersen G??sta., 2009, INCOMPLETE REVOLUTIO

[8]

Geulen Eva., 2002, Das Ende der Kunst: Lesarten eines Geruchts nach Hegel

[9]

Hale F, 2006, SCAND STUD, V78, P167

[10]

Kampmann V., 1960, HUG PARADE TOLV INDL

← 1 2 3 →