Jon Gotzon's syncretic bilingual parody: Pushing the boundaries of 'authentic' Basque

被引:0
作者
Elordui, Agurtzane [1 ]
机构
[1] Univ Basque Country, Gen Res Serv Basque Language & Commun, Leioa, Spain
关键词
Parody; stylisation; authenticity; minority media; Basque; humour; LANGUAGE; PERFORMANCE; MEDIA;
D O I
10.1017/S0047404520000767
中图分类号
H0 [语言学];
学科分类号
030303 ; 0501 ; 050102 ;
摘要
In normative, academic, and informative works on Basque there are constant debates on the boundaries of what is meant by 'authentic Basque' and, alongside that, by 'authentic Basque speaker'. In the current Basque media, these tensions are often addressed by means of creative practices, as in other minority contexts, by means of satire and other forms of humour, especially parody. In this work my subject is the character Jon Gotzon, who engages in parody on the radio programme Gaztea. Jon Gotzon is a hyperbolic and parodic stylisation of a new Basque speaker. He challenges 'authentic' and 'native' Basque-speaking styles in his syncretic bilingual stylisation and parodic discourse. In this research, I study the way this parody takes advantages of carnivalesque strategies in order to question fixed ideological hierarchies on Basqueness, and I explore the ideological positions Jon Gotzon's parody reveals, especially with respect to hybrid identities in the Basque community.
引用
收藏
页码:51 / 72
页数:22
相关论文
共 40 条
[1]  
Advisory Council of Basque, 2009, BAS POL LING PRINC S
[2]  
Advisory Council of Basque, 2016, WE DO GO HERE SUST D
[3]  
Advisory Council of Basque, 2005, EUSK KAL ZERT AR GAR
[4]  
[Anonymous], 2000, School of American Research Advanced Seminar Series, DOI DOI 10.1017/S0047404502222186
[5]   Codeswitching, identity and ownership in Irish radio comedy [J].
Atkinson, David ;
Kelly-Holmes, Helen .
JOURNAL OF PRAGMATICS, 2011, 43 (01) :251-260
[6]  
Bakhtin M., 1986, RABELAIS HIS WORLD
[7]  
Bakhtin M., 1981, The Dialogic Imagination
[8]  
Bakhtin Mikhail., 1984, RABELAIS HIS WORLD
[9]  
Basque Government, 2016, BIZKAIA 6 INKESTA SO
[10]  
Coupland N., 2017, STYLE MEDIATION CHAN, P77