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- [1] Master Mateo in the Cathedral of Santiago de Compostela's Museum EIKON IMAGO, 2018, 7 (01): : 49 - 78
- [2] The mermaid: The metamorphosis of a theme in the Romanesque cathedral of Santiago de Compostela. CODEX AQUILARENSIS, 2005, 21 : 31 - 47
- [4] The masons' marks in the western part of the cathedral of Santiago de Compostela: an approach to its construction history CONSTRUCTION HISTORY-INTERNATIONAL JOURNAL OF THE CONSTRUCTION HISTORY SOCIETY, 2013, 28 (02): : 1 - 22
- [6] Reflections on the beginnings and foundations of the Romanesque cathedral of Santiago de Compostela (ca. 1075-1105) REVISTA CHILENA DE ESTUDIOS MEDIEVALES, 2016, (10): : 9 - 46
- [7] IMAGES FOR THE PRINCE, IMAGES FOR THE MONK: THE FUNCTION AND DECORATION OF THE CHEVET OF THE CATHEDRAL OF SANTIAGO DE COMPOSTELA (1075-1101) CODEX AQUILARENSIS, 2011, 27 : 39 - 53
- [8] POWER AND DAILY LIFE IN THE CATHEDRAL OF SANTIAGO DE COMPOSTELA: GRAPHIC TESTIMONIES FROM THE EIGHTEENTH, NINETEENTH AND EARLY TWENTIETH CENTURIES POTESTAS, 2024, (25): : 115 - 151
- [9] THE FORTRESS OF ST. JAMES THE APOSTLE. COLLECTIVE REPRESENTATION AND THE REAL IMAGE OF THE CATHEDRAL OF SANTIAGO DE COMPOSTELA IN THE MIDDLE AGES CODEX AQUILARENSIS, 2015, 31 : 151 - 165