Artworks as historical individuals (Ontological status, type-theory, modal flexibility, temporal flexibility, existence conditions, neo-type theories, objects)

被引：74

作者：

Rohrbaugh, G ^{[1
]}

机构：

[1] Univ Utah, Dept Philosophy, Salt Lake City, UT 84103 USA

来源：

EUROPEAN JOURNAL OF PHILOSOPHY | 2003年 / 11卷 / 02期

关键词：

D O I：

10.1111/1468-0378.00182

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

引用

收藏

页码：177 / 205

页数：29

相关论文

共 20 条

[1]

[Anonymous], 1990, ARIST SOC P

[2]

[Anonymous], COLLECTED PAPERS

[3]

Currie Gregory., 1989, An Ontology of Art

[4]

Davies Stephen., 2001, MUSICAL WORKS PERFOR

[5]

FREGE G, 1967, PHILOS LOGIC

[6]

Frege G., 1979, POSTHUMOUS WRITINGS

[7]

Kivy P, 1983, FINE ART REPETITION

[8]

Kripke S.A., 1980, NAMING NECESSITY

[9] ZEMACH ON PAINTINGS [J].

LEVINSON, J .

BRITISH JOURNAL OF AESTHETICS, 1987, 27 (03) :278-283

[10]

LEVINSON J, 1980, MUSIC ART METPAHYSIC