Real-world Data for Virtual Reality Experiences: Interpreting Excavations

被引：0

作者：

Antlej, Kaja ^{[1
]}

Bykersma, Matthew ^{[1
]}

Mortimer, Michael ^{[1
]}

Vickers-Rich, Pat ^{[2
]}

Rich, Thomas ^{[3
]}

Horan, Ben ^{[1
]}

机构：

[1] Deakin Univ, Sch Engn, Geelong, Vic, Australia

[2] Swinburne Univ Technol, PrimeSCI, Melbourne, Vic, Australia

[3] Museums Victoria, Palaeontol, Melbourne, Vic, Australia

来源：

2018 3RD DIGITAL HERITAGE INTERNATIONAL CONGRESS (DIGITALHERITAGE) HELD JOINTLY WITH 2018 24TH INTERNATIONAL CONFERENCE ON VIRTUAL SYSTEMS & MULTIMEDIA (VSMM 2018) | 2018年

关键词：

Virtual Reality; 360-degree videography; photogrammetry; 3D scanning; paleontology; IMMERSIVE JOURNALISM; AUTHENTICITY; MUSEUM; HERITAGE; GAMES; POWER;

D O I：

暂无

中图分类号：

TP39 [计算机的应用];

学科分类号：

081203 ; 0835 ;

摘要：

Paleontological and archaeological excavations are usually relatively abstract to general audiences, yet they contextualize heritage in the present much better than if the scientific discoveries are interpreted only with fossils, artifacts and accompanying reconstructions. In this work, we explore how real-world, as well as multi-resource data, can be used for Virtual Reality (VR) experiences. We present the development and results, including preliminary user evaluations, of a 360-degree head-mounted display (HMD) experience of a dinosaur dig at the Eric the RedWestat Cape Otway in Victoria, Australia. The experience was part of The Little L Project, a pilot exhibition exploring the use of Mixed Reality (MR) technologies in museums. A similar approach could be used for communicating archaeological fieldworks.

引用

页码：338 / 345

页数：8

共 27 条

[1] Alivizatou-Barakou M., 2017, Mixed Reality and Gamification for Cultural Heritage, P129, DOI [10.1007/978-3-319-49607-8_5, DOI 10.1007/978-3-319-49607-8_5]
[2] Run With Me - Designing Storytelling Tools for Runners
Alohali, Albara
Kunze, Kai
Earle, Robert
[J]. UBICOMP'16 ADJUNCT: PROCEEDINGS OF THE 2016 ACM INTERNATIONAL JOINT CONFERENCE ON PERVASIVE AND UBIQUITOUS COMPUTING, 2016, : 5 - 8
[3] Antlej K, 2018, 2018 3RD DIGITAL HERITAGE INTERNATIONAL CONGRESS (DIGITALHERITAGE) HELD JOINTLY WITH 2018 24TH INTERNATIONAL CONFERENCE ON VIRTUAL SYSTEMS & MULTIMEDIA (VSMM 2018), P128
[4] Collaborative mixed reality visualization of an archaeological excavation
Benko, H
Ishak, EW
Feiner, S
[J]. ISMAR 2004: THIRD IEEE AND ACM INTERNATIONAL SYMPOSIUM ON MIXED AND AUGMENTED REALITY, 2004, : 132 - 140
[5] Dawson Tom, 2013, 2013 Digital Heritage International Congress (DigitalHeritage). Federating the 19th Int'I VSMM, 10th Eurographics GCH, & 2nd UNESCO Memory of the World Conferences, plus special sessions from CAA, Arqueologico 2.0, Space2Place, ICOMOS ICIP & CIPA, EU projects, et al. Proceedings, P29
[6] Immersive journalism or how virtual reality and video games are influencing the interface and the interactivity of news storytelling
Dominguez-Martin, Eva
[J]. PROFESIONAL DE LA INFORMACION, 2015, 24 (04): : 413 - 423
[7] Dooley K, 2017, STUD AUSTRALAS CINE, V11, P161, DOI 10.1080/17503175.2017.1387357
[8] 'I feel included': the Conservation in Focus exhibition at the British Museum
Drago, Amy
[J]. JOURNAL OF THE INSTITUTE OF CONSERVATION, 2011, 34 (01) : 28 - 38
[9] Dransart P, 2013, EUR LEG, V18, P42, DOI 10.1080/10848770.2013.748120
[10] DUNN R., 2002, ACM SIGGRAPH 2002 C, P122, DOI DOI 10.1145/1242073.1242139

← 1 2 3 →