THE AURA OF THE COPY. NOTES FROM A CERTIFIED COPY (A. KIAROSTAMI , 2010)

被引：0

作者：

Molina Barea, Maria del Carmen ^{[1
]}

机构：

[1] Univ Cordoba, Cordoba, Spain

来源：

QUINTANA-REVISTA DO DEPARTAMENTO DE HISTORIA DA ARTE | 2021年 / 20期

关键词：

original; copy; aura; authenticity; reproductibility;

D O I：

10.15304/quintana.20.7199

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

The present paper aims to develop a philosophical analysis of the "original vs. copy" debate in the artistic field, taking as a starting point Certificated Copy (2010), by the Iranian filmmaker Abbas Kiarostami. To this end, the paper addresses essentialist issues regarding the work of art as an original, and the alleged illegitimacy of the copy, thus questioning their ontological implications in what respects the notions of authenticity, reproduction and falsification. In this process several theories will be revisited, for instance Arthur C. Danto's view on Andy Warhol's Brillo Box, along with Walter Benjamin's prediction of the diminishing aura, and fetishistic "cold auras" according to Jose Luis Brea. All of this in order to illustrate the subjectivating fluctuation among originals and copies and ultimately state that the copy is original by itself.

引用

页数：17