Ken Burns, over the course of a long and celebrated career, has developed an effective and popular formula for his documentary films, and a comfortable relationship with the Public Broadcasting System. With such a convincing, accomplished style, his work has the opportunity to tackle ecological concerns in his latest series, but Burns chooses not to do so, offering no explicit lessons to apply to current problems. While stressing the importance of the people's parks, ecological debates on land use for future citizen-owners are minimized; the conflict of conservation versus preservation policies is barely differentiated. With the skill and reputation of Burns, his researchers, and his production team, there is a singular opportunity for their films to address ecological issues, creating productive conversation using America as a microcosm of the larger global issues faced today. Nostalgia and national pride are useful, but those attributes should be channeled to look to the future.
