The consequences of additional cognitive load on performing musicians

被引:9
作者
Corlu, Muzaffer [1 ]
Muller, Chris [1 ]
Desmet, Frank [1 ]
Leman, Marc [1 ]
机构
[1] Univ Ghent, B-9000 Ghent, Belgium
关键词
Cognitive load; dual tasking; musical expressiveness; musical performance; time perception; working memory; PERCEPTION; PERFORMANCES;
D O I
10.1177/0305735613519841
中图分类号
G44 [教育心理学];
学科分类号
0402 ; 040202 ;
摘要
When musicians play music, they seem to be fully concentrating and occupied with their performance. But what happens when concentration is affected, such as during examinations or concert performances? Our hypothesis was that the expressiveness of the music would be affected due to the fact that an additional cognitive load would occupy the cognitive resources that are needed for the timing and articulation of the musical action. To test this hypothesis, we asked experienced musicians to perform a musical piece with and without a secondary task (dual task condition). Jury judgements revealed that pieces performed under an additional cognitive load suffered a decrease in expressiveness. An analysis of the audio recordings revealed that for almost all performances, the durations of the pauses in between musical phrases during the performance in dual task conditions were significantly shorter than those performed without a secondary task, while the musical phrases themselves were not affected in their duration. We attribute this phenomenon to the fact that musicians can base the timing during playing on a (non-cognitive) corporeal reference, while during the pauses, this reference is lost. Insight into this effect may lead to educational practices that teach how to cope with additional load.
引用
收藏
页码:495 / 510
页数:16
相关论文
共 30 条
[1]  
[Anonymous], 2007, EMBODIED MUSIC COGNI, DOI DOI 10.7551/MITPRESS/7476.001.0001
[2]  
[Anonymous], 1999, The Psychology of music, DOI [10.1016/B978-012213564-4/50015-9, DOI 10.1016/B978-012213564-4/50015-9]
[3]   When time slows down: The influence of threat on time perception in anxiety [J].
Bar-Haim, Yair ;
Kerem, Aya ;
Lamy, Dominique ;
Zakay, Dan .
COGNITION & EMOTION, 2010, 24 (02) :255-263
[4]   REMEMBERED DURATION - EFFECTS OF EVENT AND SEQUENCE COMPLEXITY [J].
BLOCK, RA .
MEMORY & COGNITION, 1978, 6 (03) :320-326
[5]   How cognitive load affects duration judgments: A meta-analytic review [J].
Block, Richard A. ;
Hancock, Peter A. ;
Zakay, Dan .
ACTA PSYCHOLOGICA, 2010, 134 (03) :330-343
[6]   Artificial neural networks based models for automatic performance of musical scores [J].
Bresin, R .
JOURNAL OF NEW MUSIC RESEARCH, 1998, 27 (03) :239-270
[7]   Emotional coloring of computer-controlled music performances [J].
Bresin, R ;
Friberg, A .
COMPUTER MUSIC JOURNAL, 2000, 24 (04) :44-63
[8]   Direct measurement of cognitive load in multimedia learning [J].
Brünken, R ;
Plass, JL ;
Leutner, D .
EDUCATIONAL PSYCHOLOGIST, 2003, 38 (01) :53-61
[9]   Communicating expressiveness and affect in multimodal interactive systems [J].
Camurri, A ;
Volpe, G ;
De Poli, G ;
Leman, M .
IEEE MULTIMEDIA, 2005, 12 (01) :43-53
[10]  
Cannam C., 2010, Proceedings of the International Conference on Multimedia-MM, P1467, DOI [DOI 10.1145/1873951.1874248, 10.1145/1873951.1874248]