The Piano and Female Subjectivity: Kate Chopin's The Awakening (1899) and Jane Campion's The Piano (1993)

被引:1
作者
Pflueger, Pennie [1 ,2 ]
机构
[1] Southeast Missouri State Univ, Cape Girardeau, MO 63701 USA
[2] Southeast Missouri State Univ, Film Womens Literature & Amer Literature, Cape Girardeau, MO 63701 USA
来源
WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL | 2015年 / 44卷 / 04期
关键词
SUBLIME;
D O I
10.1080/00497878.2015.1013213
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
[No abstract available]
引用
收藏
页码:468 / 498
页数:31
相关论文
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  • [2] [Anonymous], VICTORIANS I J
  • [3] [Anonymous], PIANO COMPLETE ILLUS
  • [4] [Anonymous], AWAKENING AWAKENING
  • [5] [Anonymous], YALE J CRITICISM
  • [6] [Anonymous], 1993, THE PIANO
  • [7] [Anonymous], ATLANTIS
  • [8] [Anonymous], NEW ESSAYS AWAKENING
  • [9] [Anonymous], RACE CLASS
  • [10] [Anonymous], MISSISSIPPI Q