In this article, I provide a new reading of Djebar's Le Blanc de l'Algerie as being antimourning. I argue that in the face of institutionalized amnesia and excessive commemoration, Djebar's refusal to mourn her dead friends institutes a politics of antimourning that seeks to reckon with the larger memory and history of silenced political murders in Algeria. Rejection of mourning enables remembering and empowers feminist engagements with the past. Rather than being another al-Khansa'-the Arab dirge poet who composed elegies for her slain brother, Sakhr-Djebar sees herself in Polybe's footsteps. In offering this new argument, I aim to steer scholarly conversations to antimourning as a condition for healing in postcolonial contexts. Conscious of the centrality of language in Djebar's writings and in her larger Maghrebi context, I have developed the undertheorized concept of Franco-graphie, which I propose opens up a new space to conceptualize violence and amnesia in writings that emerge from postcolonial, multilingual contexts, and their contested legacies.
