共 5 条
- [1] BLOSSFELDT Karl., 1928, Urformen der Kunst
- [2] Lautreamont Comte de, 1970, MALDOROR CHANTS MALD
- [3] Lem Stanislaw., 1970, SOLARIS
- [4] Stockhausen Karlheinz, 2009, KOMPOSITORISCHE GRUN, P118
- [5] Ulmer Gregory L, 1985, POSTMOD CULT, P89
Moments - On the Dissecting Table.
被引：0
作者：
Tschapeller, Wolfgang
[1
]
机构：
[1] Acad Fine Arts Vienna, Inst Art & Architecture, Vienna, Austria
关键词：
Mark West;
The Beauties 3;
Hopper Facade;
Yeni Cami Scaffold;
Truck Tarp;
Yellow Green Leaves;
Wracked Submarine;
Venus and Cupid' Wrapped Swan Ducks;
Venus Water Detail;
Turkish Toy Store;
Tripe;
Spitfire Wing;
Toilet of Venus F Boucher;
Topkapi Floor;
St Bruno Praying;
Tram Track Light;
Seaweed;
New Robot Wall;
The Lace Maker;
Karlheinz Stockhausen;
'metacollage';
Stanislaw Lem;
Solaris;
Karl Blossfeldt;
Viburnum;
Aconitum;
Aristolochia clematitis;
Town Toys for Boys and Girls;
The Big Top (Fruits of the Quarantine);
Comte de Lautreamont;
Stan Brakhage;
89 Seconds at Alcazar;
Eve Sussman;
Diego Velazquez;
Las Meninas;
Greeting;
Bill Viola;
La Visitazione;
Jacopo da Pontormo;
Arnulf Rainer;
Cornell University;
Noam Chomsky;
Charles Bukowski;
D O I：
10.1002/ad.2842
中图分类号：
TU [建筑科学];
学科分类号：
0813 ;
摘要：
Canadian architect Mark West breeds extraordinary architectural images using a mixture of techniques. He is equally at home drawing, using the computer, casting concrete or tying fabric together. Wolfgang Tschapeller, Head of the Institute of Art and Architecture at the Academy of Fine Arts Vienna, looks at West's methods and aspirations, revealing how these most radical representations are concocted and why.
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页码：110 / 117
页数：8
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