The real of cinema. Pasolini and the orders of observation: a sociological perspective

被引：0

作者：

Iervese, Vittorio ^{[1
]}

机构：

[1] Univ Modena & Reggio Emilia, Modena, Italy

来源：

ZIBALDONE-ESTUDIOS ITALIANOS DE LA TORRE DEL VIRREY | 2022年 / 10卷 / 02期

关键词：

Pasolini; Cinema; Reality; Constructivism; Mimesis;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Pasolini's relationship with cinema is not only aimed at aesthetic or linguistic experimentation but can be considered the fulfilment of his main research objective: how to represent reality without appropriating or banalising it. This article adopts a constructivist theoretical approach to show how Pier Paolo Pasolini's cinema represents a tool to make evident the different orders of observation with which reality is constructed. A life-long project that has known aspects and others that are hidden or misunderstood.

引用

页码：36 / 44

页数：9