Self-reflection of a half look-alike -: A comparison of stage landscape in Samuel!Beckett's drama En 'Attendant Gogot' with iconography by Caspar David!Friedrich -: Beckett's reception of Friedrich's art from the background of ambient correspondances between the topography of Mecklenburg and/or Vorpommern and Ireland from December 1936
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作者:
Milz, M
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Milz, M
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ROMANISTISCHE ZEITSCHRIFT FUR LITERATURGESCHICHTE-CAHIERS D HISTOIRE DES LITTERATURES ROMANES
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2004年
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28卷
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3-4期