THE POETIC WORLD OF I. A. KURATOV

被引:0
|
作者
Surnina, L. E. [1 ]
机构
[1] RAS, Inst Language Literature & Hist, Ural Branch, Komi Res Ctr, 26 Ul Kommunist Skaya, Syktyvkar 167982, Russia
来源
EZHEGODNIK FINNO-UGORSKIKH ISSLEDOVANII-YEARBOOK OF FINNO-UGRIC STUDIES | 2019年 / 13卷 / 04期
关键词
Komi lyrics of the 19th century; I; Kuratov; subject system; poetic polyphony; old joker; foul language; phraseological point of view; spindle;
D O I
10.35634/2224-9443-2019-13-4-633-642
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
I. A. Kuratov's creative activity has been an outstanding phenomenon in the history of Komi and Finno-Ugrian literatures. In the period of the democratic enlightenment the incipient Komi literature which was written by I. A. Kuratov in terms of the real illustration of the nation's life was in line with literatures with old traditions. It is known, that I. A. Kuratov was not the sole writer of the 19th century, such names as G. Lytkin, P. Rasputin, P. Klochkov, M. Istomin and others are also well known. I. Kuratov knew about literary experiments by the Komi writers of the beginning of the 19th century. The critical perception of the works by these authors helped him to a certain degree to comprehend which targets must the poet solve, who represents a small nation of Russia. This article deals with the study of I. Kuratov's lyric system, which is multi-subject, containing different ways of expressing the author's consciousness. The relevance of the work is due to research opportunities that open up the study of the subjective system of works to reveal the individual author's system of the Komi poet. Poems of peasant themes by I. Kuratov are analyzed. The subject of the research is the subject organization as one of the most important ways of expressing the author's consciousness. I. Kuratov strives to embody the idea of the internal unity of the rural collective both at the heroic and at the structural and subjective level. Such a task materializes both in the sphere of subject organization and in the structure of the text itself, each element of which (artistic space, imagery series, motive complex, objective world, composition, plot) somehow becomes a means of representing the author's discourse.
引用
收藏
页码:633 / 642
页数:10
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