"Can a Fellow Be a Villain All His Life?": Oliver!, Fagin, and Performing Jewishness

[21] Glavin John, 1999, AFTER DICKENS READIN

[22] Gorman Jack, 1995, KNOCKING DOWN GINGER

[23] Gottlieb Jack., 2004, FUNNY IT DOESNT SOUN

[24] Green Stanley., 1985, Broadway Musicals, Show by Show

[25] Hirsch DavidA.H.., 2003, QUEER THEORY JEWISH

[26] Hischak ThomasS., 2004, SCREEN DOOR WHAT HAP

[27] Holbrook David, 1993, C DICKENS IMAGE WOME

[28] Hutcheon L., 2014, A Theory of Adaptation, V2nd

[29] Ingham Patricia., 1992, DICKENS WOMEN LANGUA

[30] John Juliet., 2003, Dickens's Villains: Melodrama, Character, Popular Culture

[21] Glavin John, 1999, AFTER DICKENS READIN

[22] Gorman Jack, 1995, KNOCKING DOWN GINGER

[23] Gottlieb Jack., 2004, FUNNY IT DOESNT SOUN

[24] Green Stanley., 1985, Broadway Musicals, Show by Show

[25] Hirsch DavidA.H.., 2003, QUEER THEORY JEWISH

[26] Hischak ThomasS., 2004, SCREEN DOOR WHAT HAP

[27] Holbrook David, 1993, C DICKENS IMAGE WOME

[28] Hutcheon L., 2014, A Theory of Adaptation, V2nd

[29] Ingham Patricia., 1992, DICKENS WOMEN LANGUA

[30] John Juliet., 2003, Dickens's Villains: Melodrama, Character, Popular Culture