The racial politics of imitation in the nineteenth century

This essay examines the ways in which imitation, as a concept and as a practice, was caught up in the nineteenth century's racial politics. Theoretically, it argues that the interpretation of mimesis labels the imitator and either sustains or reconstitutes power relations within the context of mimetic performance. Historically, the essay contends that during the nineteenth century, and especially after the Civil War, black imitation threatened the dominant system of white power. European Americans interpreted black mimesis as a primitive instinct the sign of an inferior "other." Conversely, African Americans used imitation to exercise their liberty and pursue civil rights. Frederick Douglass viewed imitation as a progressive force in public life, and his conceptualization represents an alternative to the reductive construct that existed at the beginning of the twentieth century and continues today.