Artists and Online Dissemination: An Analysis of Positions and Position-Takings

被引：2

作者：

Booth, Peter ^{[1
]}

Royseng, Sigrid ^{[1
,2
]}

机构：

[1] BI Norwegian Business Sch, Oslo, Norway

[2] Norwegian Acad Mus, Oslo, Norway

来源：

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY | 2022年 / 52卷 / 04期

关键词：

Artists; online dissemination; position-takings; consecration; field theory; Bourdieu; diffusion of innovation; multiple correspondence analysis; DISTINCTION;

D O I：

10.1080/10632921.2022.2034691

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

This article analyzes visual artists' response to online sales and dissemination technologies by mapping the range of corresponding positions and position-takings by professional artists in Norway. We consider whether artists' responses align with traditional logics of artistic consecration identified in Bourdieu's accounts of the field of cultural production, and how these responses correspond to Rogers' theory of diffusion of innovations. Employing multiple correspondence analysis, we find position-takings toward online sales and dissemination can be structured by a dimension differentiating between technology-oriented optimism and techno-skepticism, between high and neutral levels of risk aversion toward online technologies, and thirdly between technology adopters and those still at an intentional stage.

引用

页码：266 / 285

页数：20