Ad hoc Japonisme: how national identity rhetorics work in Japanese advertising

被引:14
|
作者
Minowa, Yuko [1 ]
Belk, Russell W. [2 ]
机构
[1] Long Isl Univ, Managerial Sci Dept, Brooklyn, NY 11201 USA
[2] York Univ, Schulich Sch Business, Toronto, ON, Canada
关键词
Visual rhetoric; national identity; advertising; gifts; critical visual analysis; Japan; CONSUMER CULTURE; SEMIOTICS; PRINT; FOOD;
D O I
10.1080/10253866.2016.1239085
中图分类号
F [经济];
学科分类号
02 ;
摘要
This study examines how a variety of national identity rhetorics are formed with the nuanced aestheticization. We focus on visual rhetorics. We use advertisements for traditional, seasonal gifts in post-postwar Japan as the context of inquiry. Two research questions addressed are: (1) how different rhetorics of national identity are formed between the gifts advertised and the audience, focusing more on visual than merely verbal elements, and (2) how visual genealogy - specific cultural and historical references in contemporary images - is used in rhetorical figures. Underpinned by a critical visual analysis, we apply Western and Japanese art canons to a visual social semiotic approach in order to interpret variations in the semantics of national identity. We discuss three types of rhetorics of national identity: rhe-transfiguration, rhe-truculence, and rhe-trepidation. The study suggests that national identity rhetorics activate a deep subjectivity resulting from the aestheticized experience reinforced by the nation's consumption ritual.
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页码:329 / 349
页数:21
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