Nazi memorabilia, dark heritage and treasure hunting as "alternative" tourism: Understanding the fascination with the material remains of World War II in Northern Finland
被引:22
作者:
Thomas, Suzie
论文数: 0引用数: 0
h-index: 0
机构:
Univ Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, FinlandUniv Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, Finland
Thomas, Suzie
[1
]
Seitsonen, Oula
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h-index: 0
机构:
Univ Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, FinlandUniv Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, Finland
Seitsonen, Oula
[1
]
Herva, Vesa-Pekka
论文数: 0引用数: 0
h-index: 0
机构:
Univ Oulu, Dept Archaeol, SF-90100 Oulu, FinlandUniv Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, Finland
Herva, Vesa-Pekka
[2
]
机构:
[1] Univ Helsinki, Dept Philosophy Hist Culture & Art Studies, FI-00014 Helsinki, Finland
[2] Univ Oulu, Dept Archaeol, SF-90100 Oulu, Finland
treasure hunting;
Second World War;
Finland;
dark heritage;
Lapland;
ARCHAEOLOGY;
COMMUNITY;
D O I:
10.1080/00934690.2016.1168769
中图分类号:
K85 [文物考古];
学科分类号:
0601 ;
摘要:
Sites connected to the Second World War (WWII) are increasingly recognized as worthy of archaeological investigation. Researchers are also becoming aware that that the collectors market in objects connected to WWII, particularly those connected to Germany, is encouraging the stripping of conflict landscapes in the search for "collectors items." Finnish Lapland is sometimes regarded as peripheral compared to more centrally located regions of Europe. Archaeologists working here nonetheless find themselves in direct competition with enthusiastic treasure hunters. This is complicated even further by the myriad ontologies employed by different individuals in the construction of their relationship with the material culture connected to recent conflict periods, and on specific "other" or "exotic" landscapes, such as Lapland. This paper examines what might be learnt about the nature of treasure hunting for and trading in WWII material from Lapland, and its position within the emerging research on broader trends in "dark" approaches to and encounters with heritage.