The New Slave Narrative and the Illegibility of Modern Slavery

This paper argues that the first-person narratives of human trafficking that have been published since 1991 should be considered as the reemergence of the slave narrative. The paper outlines the contours of the slave narrative's revival, suggesting that the genre found fertile ground in the 1990s and 2000s through a confluence of diverse cultural forces - reinvigorated abolitionist advocacy, heightened public fluency in the discourses of slavery and rights, an expanded media terrain that encourages first-person testimony and post-9/11 cultural anxieties. This environment promoted the development of survivor testimony that would act as 'flesh and blood' examples of the largely hidden and illegible human rights violation of modern slavery. Slave narrators face a crisis of legibility resulting from public scepticism regarding modern slavery, but what emerges from the public requirements for evidence is a generic tendency against the voyeuristic demands for the bodily detail and towards narrative strategies of displacement that direct attention towards external authorities and experiences. These strategies allow survivors to maintain control over their exposure in their life narratives, and thereby revise and interrogate the spectacular expectations promoted by many human rights projects.