PERFORMANCE OF MEDIEVAL RELIGIOUS MYSTERY PLAY AS THEATRICAL ART GENRE AND PRECURSOR OF 'POLITICAL THEATRE'

被引：0

作者：

Tlepov, Zhambyl Amangeldiyevich ^{[1
]}

Malikova, Assel Malikkyzy ^{[2
]}

Tursynbayeva, Aigul Omirbekkyzy ^{[1
]}

Makulbekov, Aidos Tolebekyly ^{[1
]}

Dugalich, Natalia Mikhailovna ^{[3
]}

机构：

[1] LN Gumilyov Eurasian Natl Univ, 2 Satpayev St, Nur Sultan, Kazakhstan

[2] Kazakh Natl Univ Arts, 50 Tauelsizd Ave, Nur Sultan, Kazakhstan

[3] RUDN Univ, Peoples Friendship Univ Russia, Miklukho Maklaya Str 6, Moscow, Russia

来源：

EUROPEAN JOURNAL OF SCIENCE AND THEOLOGY | 2021年 / 17卷 / 04期

关键词：

medieval theatre; performance; performative practices; Catholic Church; liturgical drama;

D O I：

暂无

中图分类号：

B9 [宗教];

学科分类号：

010107 ;

摘要：

The article deals with the notion and essence of performance as a cultural and social category, the origins of mystery plays and the characteristics of performing medieval mystery plays as appeals to the sacred and the 'political theatre' of the Middle Ages. It is shown that in the 14th -16th centuries, the mystery play becomes a widespread genre of theatrical art under the aegis of the Catholic Church. However, the increasing role of secularism and the need to consolidate monarchical power give performative practices of the mystery play a social and political meaning, in which religious and sacred stories are replaced with military-political and social-historical.

引用

页码：109 / 117

页数：9