"It All Makes Us Feel Together": Young People's Experiences of Virtual Group Music-Making During the COVID-19 Pandemic

被引:15
|
作者
Levstek, Marusa [1 ]
Barnby, Rubie Mai [1 ]
Pocock, Katherine L. [1 ]
Banerjee, Robin [1 ]
机构
[1] Univ Sussex, Sch Psychol, Brighton, E Sussex, England
来源
FRONTIERS IN PSYCHOLOGY | 2021年 / 12卷
关键词
COVID-19; coping; virtual; group music-making; young people; mixed-methods; self-determination theory; school children; SOCIAL SUPPORT; MENTAL-HEALTH; EFFECT SIZE; ENGAGEMENT; BEHAVIORS; CHILDREN; PACKAGE; CONTEXT;
D O I
10.3389/fpsyg.2021.703892
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
We know little about the psychological experiences of children and young people who have participated in virtual group music-making during the Coronavirus disease (COVID-19) pandemic. Adopting a mixed-methods design, we worked across three music education hubs in the UK, with a total 13 virtual music groups. These included a range of mainstream ensembles, inclusive ensembles targeting young people with special educational needs and/or disabilities, and inclusive music production spaces, targeting young people from lower socio-economic backgrounds. Reported progress in intra- and inter-personal psychological outcomes was investigated using quantitative and qualitative staff session reports, which were collected since before the pandemic (n1 for in-person sessions = 87, n2 for virtual sessions = 68), and surveys distributed to tutors, young people, and their parents during the first and second United Kingdom (UK) national lockdowns (n3 for qualitative responses = 240, n4 for quantitative responses = 96). Satisfaction of three basic psychological needs of self-determination theory and their relation to joint music-making in virtual spaces was also observed in real time by the researchers performing quantitative checklist observations on 16 separate occasions. Findings indicated that virtual music groups represented a meaningful psychological resource for the participating children and young people, especially considering the lack of opportunities offered by their schools and other extra-curricular activities. Through their participation with virtual group music-making activities, young people used music as a tool for self-expression and emotion management, restored lost musical identities and confidence, and preserved treasured social connections. Virtual alternatives to group music-making appear to indirectly nurture the sense of belongingness, mediated by supportive staff behaviors, but their direct connection, which has been widely reported for in-person group music-making experiences, has not been observed in virtual music groups.
引用
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页数:18
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