Steel Trees, Fish Skins, and Futurity Cyphers

被引：4

作者：

Recollet, Karyn ^{[1
]}

机构：

[1] Univ Toronto, Women & Gender Studies Inst, Toronto, ON, Canada

来源：

CANADIAN THEATRE REVIEW | 2018年 / 176卷

关键词：

Black and Indigenous solidarity; Decolonial Love; Dish with One Spoon; Idle No More; Indigenous dance; Indigenous Futurism; Indigenous Science Fiction; Kinstillatory; Spatial Glyph; Tkaronto; Urban Indigenous;

D O I：

10.3138/ctr.176.004

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

Taking place in the year 2084, this Indigenous science fiction short story narrates the journey of a being' travelling through post-apocalyptic Tkaronto (Toronto, Ontario). The time of the Great Damage (including the millennial scoop) has left forms of radical relationality through song, the dance-ethics of witnessing, and visitinga cluster of futurity practices. Follow the journey of this being' as they use futurity devices to walk to the flash mob futurity cypher, a radical project of joy and love, summoning Black and Indigenous folx to dance for the future.

引用

页码：26 / 30

页数：5