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- [41] The Folk Custom Projection of Bloodline Heritage of Ethnic Group-Inspection and Analysis of Gejia People's Music and Dance PROCEEDINGS OF THE 2016 INTERNATIONAL CONFERENCE ON EDUCATION, MANAGEMENT, COMPUTER AND SOCIETY, 2016, 37 : 521 - 523
- [42] The Path to Uncommon Entertainment in Istanbul Wine Houses: Music, Dance and Sexuality from 17th Century to 20th Century TARIH INCELEMELERI DERGISI, 2020, 35 (01): : 101 - 132
- [43] THE GOLD PATH TO ROKYCANY. STUDIES AND CRITICAL EDITIONS OF POPULAR SONGS FROM THE SOUTHWESTERN BOHEMIA FOR CHILD SINGERS, MUSIC AND DANCE GROUPS. CESKY LID-ETHNOLOGICKY CASOPIS, 2011, 98 (04): : 433 - 435
- [44] We have a glowing dream: Recollections of working-class and people's struggles in BC from 1935 to 1996 LABOUR-LE TRAVAIL, 2000, (45): : 271 - 277
- [45] OF MAMBO-KINGS AND SONGS OF LOVE, DANCE MUSIC IN HAVANA AND NEW-YORK FROM THE 1930S TO THE 1950S LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA, 1994, 15 (02): : 139 - 176
- [46] Reflecting on JMVFH's most popular article of 2021: 'Creative Forces programming with military families: Art therapy, dance/movement therapy, and music therapy brief vignettes' JOURNAL OF MILITARY VETERAN AND FAMILY HEALTH, 2024, 10 (4-EN): : 96 - 99
- [47] DANCE AND ENTERTAINMENT MUSIC IN 18TH-CENTURY AND EARLY 19TH-CENTURY MANUSCRIPTS FROM THE ARTLAND DISTRICT OF LOWER-SAXONY - GERMAN - BRAUN,H, EDITOR MUSIKFORSCHUNG, 1986, 39 (03): : 297 - 298
- [48] Response to María Inés Fernández Álvarez: “Building from heterogeneity: the decomposition and recomposition of the working class viewed from the “popular economy” in Argentina” Dialectical Anthropology, 2020, 44 : 87 - 89