From God's-eye to Camera-eye: Aerial Photography's Post-humanist and Neo-humanist Visions of the World

被引：37
作者：
Amad, Paula [1 ]
机构：
[1] Univ Iowa, Dept Cinema & Comparat Literature, Iowa City, IA 52242 USA
来源：
HISTORY OF PHOTOGRAPHY | 2012年 / 36卷 / 01期
关键词：
aerial photography; aerial vision; photography and World War One; Walter Benjamin (1892-1940); Jean Brunhes (1869-1930); Le Corbusier (1887-1965); Siegfried Kracauer (1889-1966); Antoine de Saint-Exupery (1900-1944); IMAGE;
D O I：
10.1080/03087298.2012.632567
中图分类号：
J [艺术];
学科分类号：
13 ; 1301 ;
摘要：
Aerial photographs are most commonly associated with notions of panoptic vision or the environmental sublime. This paper reviews the dystopian and utopian discourses surrounding aerial photography and suggests a third approach to understanding aerial vision as dialectically situated between the poles of science and art, rationality and imagination, abstracted and embodied knowledge, visibility and invisibility, the archive and the museum.
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页码：66 / 86
页数：21
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