Shylock's ghosts

被引：0

作者：

Pellone, Elena ^{[1
]}

机构：

[1] Univ Birmingham, Shakespeare Inst, Church St, Mason Croft CV37 6HP, Stratford Upon, England

来源：

CAHIERS ELISABETHAINS | 2022年 / 107卷 / 01期

关键词：

Merchant in Venice; Shylock; Venice Ghetto; Max Reinhardt; Karin Coonrod; Nerissa;

D O I：

10.1177/01847678211062924

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

Compagnia de' Colombari, directed by Karin Coonrod, fashioned The Merchant in Venice from the stones of the Venetian Ghetto: Shylock's haunting ghost corporealised under moonlight. This 2016 production followed Max Reinhardt's Venetian Merchant in 1934: another lingering ghost of Shylock. These productions intersected in a vision to create bonds between strangers. Looking back on them in the Covid-19 pandemic context of isolation and intolerance, they remind us of the restorative hope in a globalised theatre. This essay engages with the way the Ghetto, Venice and Shylock speak back, inverting the perspective of the 'other', framed by personal reflections of the author-actor playing Nerissa.

引用

页码：63 / 81

页数：19