Authenticity in contemporary art: what do we conserve?

被引：0

作者：

Santabarbara, Carlota ^{[1
]}

机构：

[1] Museo Nacl Reina Sofia Madrid, Dept Exposic, Madrid, Spain

来源：

GE-CONSERVACION | 2021年 / 20期

关键词：

Contemporary art; authenticity; material; conservation; originality; copy; replacement;

D O I：

10.37558/gec.v20i.1079

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The conservation of contemporary art has generated a tremendous theoretical debate on the criteria followed in conservation-restoration processes and theoretical reflection on what to conserve. In the current theoretical panorama, lines of thought arise that go beyond Cesare Brandi's Theory of Restoration. New concepts of art such as its meaning, immateriality or impermanence, and the processes of copying, replication, and deferred substitution.These ideas arise from praxis in international forums, where they have tried to find a decision-making model that leads to rigorous and respectful procedures with contemporary art.

引用

页码：275 / 288

页数：14