Tangled between paradigms in the neo-baroque era

The underlying notion for this article is that archaeology requires an amalgamation of humanities and science, and of narrative and scientific knowledge. The need for this fusion has arisen in a context in which contemporary society is experiencing major changes in epistemics, aesthetics and fashion; an increase in virtual experiences; and an economic crisis. I refer to this situation as the neo-baroque, a condition that is elusive and partially ambiguous. This social context (perhaps the final crisis of modernity), and the breakdown of this integration in pragmatic terms, call for a repoliticization of science.