Audio watermarking and fingerprinting:: For which applications?

被引:9
作者
Gomes, LDT
Cano, P
Gómez, E
Bonnet, M
Batlle, E
机构
[1] Univ Paris 05, UFR Math & Informat, InfoCom Crip5, F-75270 Paris 06, France
[2] Univ Pompeu Fabra, MTG IUA, Barcelona, Spain
关键词
D O I
10.1076/jnmr.32.1.65.16803
中图分类号
TP39 [计算机的应用];
学科分类号
081203 ; 0835 ;
摘要
Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A different approach, called fingerprinting, consists in extracting a "fingerprint" from the audio signal. In association with a database, this fingerprint can be used to identify a recording, which is useful, for example, to monitor audio excerpts played by broadcasters and webcasters. There are far more applications to watermarking and fingerprinting. After a brief technical review, this article describes potential applications of both methodologies, showing which one is more suitable for each application.
引用
收藏
页码:65 / 81
页数:17
相关论文
共 49 条
  • [41] Zwicker E., 2013, Psychoacoustics: Facts and models, V22
  • [42] 2001, GRACENOTE
  • [43] 2001, MUSIC REPORTER
  • [44] 2002, GNUTELLA WEGO
  • [45] 2002, GNUTELLA NEWS
  • [46] 2001, MUSICBRAINZ
  • [47] 2001, ID3MAN
  • [48] 2001, REQUEST AUDIO FINGER
  • [49] 2002, NAPSTER