THE DEGENERATE ART EXHIBITION IN THE ARCHITECTURE OF DOOM: A DIALOGUE BETWEEN MUSEUMS EXHIBITIONS AND DOCUMENTARY CINEMA

被引：0

作者：

Vaz, Lara Colossi ^{[1
]}

机构：

[1] Univ Fed Santa Catarina, Curso Grad Museol, Ctr Filosofia & Ciencias Humanas, Florianopolis, SC, Brazil

来源：

REVISTA ELETRONICA VENTILANDO ACERVOS | 2021年 / 9卷 / 02期

关键词：

Documentary cinema; Museums exhibition; The architecture of doom; Degenerate art;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

This article aims to develop a dialogue between the areas of Museology and Cinema, in order to analyze points of convergence, from the perspective of narrative construction in Museums Exhibitions and Documentary Cinema, considering the technical elements related to each of the areas. As object of analysis between the fields we selected the documentary Architecture of Doom (1989) and the exhibition Degenerated Art (1937), the analysis was based on the technical present in the created narratives. We can understand that the construction of narrative both in Documentary Cinema and in Museum Exhibitions is close, since both are linked to the manipulation of technical elements, often in favor of an ideological discourse.

引用

页码：63 / 82

页数：20

共 19 条

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[4] Barron Stephanie., 1991, Degenerate Art: The Fate of the Avant-Garde in Nazi Germany
[5] CASHIN Jennifer, 2016, MUSEUM EXHIBITION CU
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[8] FLOREZ Lilian Mariela Suescun, 2013, EXERCICIO EXPOR NOS
[9] FLOREZ Lilian Mariela Suescun, 2011, THESIS
[10] Levi N, 1998, OCTOBER, P41

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