DATING OF ROCK PAINTINGS IN THE WADEYE-FITZMAURICE REGION, NORTHERN TERRITORY
被引:0
作者:
Watchman, Alan
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机构:Australian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, Australia
Watchman, Alan
Ward, Graeme K.
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机构:
Australian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, AustraliaAustralian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, Australia
Ward, Graeme K.
[1
]
Crocombe, Mark
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机构:
Kanamkek Yile Ngala Museum, Wadeye, NT 0822, AustraliaAustralian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, Australia
Crocombe, Mark
[2
]
Mulvaney, Ken
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机构:Australian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, Australia
Mulvaney, Ken
机构:
[1] Australian Inst Aboriginal & Torres Strait Island, Canberra, ACT 2601, Australia
[2] Kanamkek Yile Ngala Museum, Wadeye, NT 0822, Australia
来源:
ROCK ART RESEARCH
|
2010年
/
27卷
/
02期
关键词:
Cultural heritage;
Regional relationships;
Dating;
Daly-Fitzmaurice region;
D O I:
暂无
中图分类号:
K85 [文物考古];
学科分类号:
0601 ;
摘要:
The Wadeye-Fitzmaurice region is in the northwest of the Top End of Australia's Northern Territory. It lies between two major geographical and cultural regions of northern Australia, the Kimberley to the southwest and Arnhem Land to the northeast. Its location suggests that it has potential to address questions concerning relationships between the two, but it has been little researched archaeologically. In collaboration with Traditional Owners of the area, we undertook a survey of cultural places of much of the region, concentrating on areas in the centre and south and along the Fitzmaurice River. The initial results from the recording of rock paintings suggest presence of cultural ties with areas to the south and west. Results of direct dating of surface accretions allow identification of a sequence of painting styles changing over time from about five thousand years ago. The most recent representations were painted within the last century. The earliest images are distinctive mulberry-red representations of anthropomorphs with resonances to similar styles described for the Kimberley and Keep River. The similar antiquity of this style of painting in all three regions tends to confirm cultural connectedness over a wide area during that period.
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页码:223 / 228
页数:6
相关论文
共 33 条
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Watchman A., 1990, ROCK ART RES, V7, P44
[33]
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