Heidegger, Mukarovsky and Art Criticism

被引：0

作者：

Liptak, Michal ^{[1
]}

机构：

[1] Ustav Divadelnej & Filmovej Vedy SAV, Bratislava, Slovakia

来源：

FILOSOFICKY CASOPIS | 2018年 / 66卷 / 03期

关键词：

Martin Heidegger; Jan Mukarovsky; art; dispute; tension; polarisation; art criticism; WORK;

D O I：

暂无

中图分类号：

B82 [伦理学（道德学）];

学科分类号：

摘要：

In this article, points of contact between Mukarovsky's and Heidegger's thinking about art are investigated. These points of contact are identified in the conception of deliberateness and non-deliberateness in Mukarovsky and in the contest between the world and the earth in Heidegger. It is argued that these conceptions point to the treatment of a work as continually polarising; polarisation is related to the problematic of the durability of a work of art and of great art, so its character is ultimately normative. These results are finally briefly related to the question of art criticism.

引用

页码：361 / 381

页数：21

共 33 条

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