Twenty years of artificial life art

被引：6

作者：

Penny, Simon ^{[1
]}

机构：

[1] Univ Calif Irvine, Irvine, CA 92717 USA

来源：

DIGITAL CREATIVITY | 2010年 / 21卷 / 03期

关键词：

Artificial Life; Artificial Life Art; media art; digital art; interdisciplinarity; cybernetics; Emergence; interactivity; autonomous agent; genetic algorithm; evolutionary programming;

D O I：

10.1080/14626261003654640

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

This essay begins with discussion of four relatively recent works which are representative of major themes and preoccupations in Artificial Life Art: 'Propagaciones' by Leo Nunez; 'Sniff' by Karolina Sobecka and Jim George; 'Universal Whistling Machine' by Marc Boehlen; and 'Performative Ecologies' by Ruari Glynn. This essay is an attempt to contextualise these works by providing an overview of the history and forms of Artificial Life Art as it has developed over two decades, along with some background in the ideas of the Artificial Life movement of the late 1980s and 1990s.1.

引用

页码：197 / 204

页数：8