Grans (Border, dir. Ali Abbasi, 2018) and borders: transnational ties, Nordic roots, Swedish knowledge in critical reception

被引：1
作者：
Holmlund, Chris [1 ]
机构：
[1] Univ Tennessee, Cinema Studies, Women Gender Sexual Studies & French, Knoxville, TN 37996 USA
来源：
TRANSNATIONAL SCREENS | 2021年 / 12卷 / 02期
关键词：
Nordic reception; Swedish reception; Anglophone reception; horror; folklore; gender politics; ethnic discrimination;
D O I：
10.1080/25785273.2021.1976467
中图分类号：
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号：
摘要：
Grans (Border, dir. Ali Abbasi, 2018) crosses geographical, generic, gendered, and speciated borders. It speaks to Nordic folkloric traditions and engages with Swedish socio-political issues. It also addresses broadly familiar concerns and draws on recognized genre conventions. Critical reception was polyphonic, demonstrating how much readings are produced within and delimited by specific geo-political contexts. In today's Western world, some cultural perimeters are widened; others are trampled.
引用
收藏
页码：150 / 168
页数：19
相关论文
共 82 条
[21]  
Esser A., 2016, Media across borders: Localising TV, film and video games
[22]   Second phase transnationalism: reflections on launching the SCMS transnational cinemas scholarly interest group [J].
Fisher, Austin ;
Smith, Iain Robert .
TRANSNATIONAL SCREENS, 2019, 10 (02) :114-125
[23]  
Girish, 2018, FILM COMMENT 1025
[24]  
Gustafsson T., 2021, POLITICS NORDSPLOITA
[25]  
Gustafsson Tommy., 2015, Nordic Genre Film: Small Nation Film
[26]  
Gustavsson T., 2015, NORDIC GENRE FILM SM, P189
[27]  
Henriksson, 2012, TROLLEN 6 FOLKLIGA F
[28]  
Higbee Will., 2010, Transnational Cinemas, V1, P7
[29]  
Hjort Mette., 2005, Transnational Cinema in a Global North: Nordic Cinema in Transition. Eds, P191
[30]  
Hoglund J., 2017, EDDA, V104, P115, DOI [10.18261/issn.1500-1989-2017-02-05, DOI 10.18261/ISSN.1500-1989-2017-02-05]
123456789