Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791

[1] [Anonymous], 1975, RHYTHMUSTHEORIEN NEU

[2] [Anonymous], 2004, HEARING TIME

[3] Caplin WilliamE., 1998, Classical Form

[4] PERCEPTUALISM, NOT INTROSPECTIONISM: THE INTERPRETATION OF INTUITION-BASED THEORIES [J]. MUSIC PERCEPTION, 2009, 27 (02): : 121 - 130

[5] Gjerdingen Robert., 2007, MUSIC GALANT STYLE

[6] Handel S., 1989, LISTENING INTRO PERC, DOI DOI 10.2307/898748

[7] Hasty Christopher., 1997, Meter As Rhythm

[8] Hepokoski James., 2006, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

[9] JACKENDOFF R, 1991, MUSIC PERCEPT, V9, P199

[10] CONFLICTING METRICAL PATTERNS IN ACCOMPANIMENT AND MELODY IN WORKS BY MOZART AND BEETHOVEN - A PRELIMINARY-STUDY [J]. JOURNAL OF MUSIC THEORY, 1993, 37 (02) : 311 - 348

[1] [Anonymous], 1975, RHYTHMUSTHEORIEN NEU

[2] [Anonymous], 2004, HEARING TIME

[3] Caplin WilliamE., 1998, Classical Form

[4] PERCEPTUALISM, NOT INTROSPECTIONISM: THE INTERPRETATION OF INTUITION-BASED THEORIES [J]. MUSIC PERCEPTION, 2009, 27 (02): : 121 - 130

[5] Gjerdingen Robert., 2007, MUSIC GALANT STYLE

[6] Handel S., 1989, LISTENING INTRO PERC, DOI DOI 10.2307/898748

[7] Hasty Christopher., 1997, Meter As Rhythm

[8] Hepokoski James., 2006, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

[9] JACKENDOFF R, 1991, MUSIC PERCEPT, V9, P199

[10] CONFLICTING METRICAL PATTERNS IN ACCOMPANIMENT AND MELODY IN WORKS BY MOZART AND BEETHOVEN - A PRELIMINARY-STUDY [J]. JOURNAL OF MUSIC THEORY, 1993, 37 (02) : 311 - 348