Ultra-Orthodox Jewish women performing gender in Julius Caesar

被引：0

作者：

Schupak, Esther B. ^{[1
]}

机构：

[1] Bar Ilan Univ, Dept English Literature & Linguist, Ramat Gan, Israel

来源：

RIDE-THE JOURNAL OF APPLIED THEATRE AND PERFORMANCE | 2019年 / 24卷 / 02期

关键词：

Shakespeare; performance; pedagogy; ultra-Orthodox Jews; feminism; adolescents;

D O I：

10.1080/13569783.2018.1561255

中图分类号：

G40 [教育学];

学科分类号：

040101 ; 120403 ;

摘要：

This article explores the way gender resonates in Shakespeare's Julius Caesar through an active study of live performance. Combining pedagogy with performance as an interpretive methodology, this research focuses upon using my unique classroom situation, teaching ultra-Orthodox Jewish adolescent females, as a platform for analysis. Performing Julius Caesar in my classroom represents an inversion of early modern all-male performance. The question explored in this study is: what does this reversal illuminate about constructions of gender among ultra-Orthodox adolescents?

引用

页码：155 / 172

页数：18

共 30 条

[1]

Brown Iris., 2012, I SHALL WORK ULTRAOR, P45

[2]

Candido Joseph., 2005, J CAESAR, P127

[3]

Caplan Kimmy., 2003, Archives de sciences sociales des religions, V48, P77, DOI DOI 10.4000/ASSR.1069

[4]

Caplan Kimmy., 2007, INTERNAL POPULAR DIS

[5]

Dakin M.E., 2009, READING SHAKESPEARE

[6]

El Or Tamar., 1994, Educated and Ignorant: Ultraorthodox Jewish Women and their World

[7]

Ellis C, 2011, HIST SOC RES, V36, P273

[8] THE LENGTH OF THE SLITS AND THE SPREAD OF LUXURY - RECONSTRUCTING THE SUBORDINATION OF ULTRA-ORTHODOX JEWISH WOMEN THROUGH THE PATRIARCHY OF MEN SCHOLARS [J].

ELOR, T .

SEX ROLES, 1993, 29 (9-10) :585-598

[9]

Goodman Elspeth, 2001, SHAKESPEARE FEMINISM, P70

[10]

Hakak Yohai., 2016, Haredi Masculinities between the Yeshiva, the Army, Work and Politics : The Sage, the Warrior and the Entrepreneur

← 1 2 3 →