ART AND PHILOSOPHY IN ADORNO: THEIR DIFFERENCE AND INSEPARABILITY

被引：0

作者：

Gutierrez Pozo, Antonio ^{[1
]}

机构：

[1] Univ Seville, Fac Filosofia, Seville, Spain

来源：

FILOZOFIA | 2012年 / 67卷 / 10期

关键词：

Adorno; Hegel; Heidegger; Art; Philosophy; Dialectics;

D O I：

暂无

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

Like the aesthetics of Hegel and Heidegger Adorno's aesthetics also affirms the philosophical relevance of art. But the peculiarity of the Adornian comprehension of aesthetics is in his defending the separation art and philosophy and at the same times their permanent relationship. They are different but inseparable. Art is relevant to philosophical reflection, while philosophy needs the dialectic discovered in the artistic mimesis.

引用

页码：819 / 831

页数：13

共 20 条

[1] ADORNO T.W., 1947, DIALEKTIK AUFKLARUNG, V3
[2] ADORNO T. W., 1984, KIERKEGAARD KONSTRUK, V2
[3] Adorno T.W, 1966, NEGATIVE DIALEKTIK, V6
[4] ADORNO T.W., 1944, MINIMA MORALIA REFLE, V4
[5] ADORNO T. W., 1962, JARGON EIGENTLICHKEI, V6
[6] ADORNO T. W., 1969, ASTHETISCHE THEORIE, V7
[7] ADORNO T. W., 1962, PHILOS TERMINOLOGIE, VII
[8] ADORNO TH. W., 1956, DREI STUDIEN HEGEL, V5
[9] ADORNO TH. W., 1954, ESSAY ALS FORM, V11
[10] Bernstein Jay., 2001, ADORNO DISENCHANTMEN, DOI 10.1017/CBO9781139164276

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