State sacrifices and music in Ming China: Orthodoxy, creativity, and expressiveness

被引：0

作者：

Li, PH ^{[1
]}

机构：

[1] Univ Puerto Rico, Rio Piedras, PR USA

来源：

ASIAN MUSIC | 2001年 / 33卷 / 01期

关键词：

D O I：

10.2307/834239

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

引用

页码：130 / 131

页数：2

共 43 条

[31] Challenging the State Orthodoxy Liberal Conceptions of Human Rights in Late Qing and Post-Mao China
Weatherley, Robert
JOURNAL OF ASIAN PACIFIC COMMUNICATION, 2007, 17 (02) : 331 - 352
[32] Musical creativity in 20th-century China: Abing, his music, and its changing meanings
Brace, T
NOTES, 1997, 54 (02) : 492 - 493
[33] Musical creativity in twentieth-century China: Abing, his music, and its changing meanings.
Howard, K
CHINA QUARTERLY, 1997, (151) : 684 - 685
[34] Musical creativity in twentieth-century China. Abing, his music, and its changing meanings
Kouwenhoven, F
WORLD OF MUSIC, 1997, 39 (03) : 113 - 116
[35] Musical creativity in 20th-century China: Abing, his music, and its changing meanings
Rees, H
MUSIC & LETTERS, 1997, 78 (04) : 637 - 639
[36] History and Present State of Orthodoxy in China: A Review of Studies Published in the Russian Far East after the Year 2000
Keidun, Irina
INTERNATIONAL JOURNAL OF SINO-WESTERN STUDIES, 2018, 14 : 111 - 118
[37] Banditry and the subversion of state authority in China: The capital region during the middle Ming period (1450-1525)
Robinson, DM
JOURNAL OF SOCIAL HISTORY, 2000, 33 (03) : 527 - +
[38] Financing creativity: how state-owned and foreign ownership shape innovation engagement in China
Yue, Shanshan
Norkhairul, Bajuri Hafiz
Khatib, Saleh F. A.
Lee, Yini
KYBERNETES, 2024,
[39] Transnational understanding of historical music: State sacrificial music from the Southern Song, China (AD 1127-1279)
Lam, JSC
WORLD OF MUSIC, 1996, 38 (02) : 69 - 83
[40] STATE AND SOCIETY IN CHINA - JAPANESE PERSPECTIVES ON MING-QUING SOCIAL AND ECONOMIC-HISTORY - GROVE,L, DANIELS,C
FOGEL, JA
JOURNAL OF ASIAN STUDIES, 1986, 45 (03) : 566 - 567

← 1 2 3 4 5 →