Bergman's Rigour

被引：1

作者：

Waters, Steve ^{[1
]}

机构：

[1] Univ Birmingham, Birmingham B15 2TT, W Midlands, England

来源：

STUDIES IN THEATRE AND PERFORMANCE | 2010年 / 30卷 / 01期

关键词：

Ingmar Bergman; theatre form; cinematic form; autobiography; aesthetic rigour;

D O I：

10.1386/stap.30.1.25/3

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

This essay was written as a provocation and contribution to the Writing Space project, University of Winchester, 2008. It was presented as a performance text with the opening 20 minutes of Winter Light playing without sound in the background. It is a fusion of memoir, film criticism, aesthetic theorization and critical re-evaluation. The author examines his own film-going history and the centrality of Bergman's work to that; posits Bergman's films of the 1960s as the key theatre texts of their time; analyses the components of Bergman's cinematic project at that time; reflects upon a notion of rigour derived from that work; settles on Winter Light as the exemplary film and ponders its meaning and genesis.

引用

页码：25 / 31

页数：7