Illusion and Visual awareness. Surprising Convergences between Goethe and Caspar David Friedrich

被引：0

作者：

Grave, Johannes ^{[1
]}

机构：

[1] Ctr Allemand Hist Art, F-75001 Paris, France

来源：

GOETHE JAHRBUCH | 2011年 / 128卷

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D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

页码：107 / 126

页数：20

共 7 条

[1] DID FRIEDRICH,CASPAR,DAVID PAINT GOETHE ON THE TEUFELSKANZEL, A CLIFF PROMONTORY IN THE HARZ MOUNTAINS
DENECKE, R
GOETHE JAHRBUCH, 1989, 106 : 337 - 347
[2] Amor as a romantic landscape painter? Fog and mist in the work of Goethe and Caspar David Friedrich
Grave, Johannes
ZEITSCHRIFT FUR KUNSTGESCHICHTE, 2006, 69 (03): : 393 - 401
[3] Between pastoral and nature:: Beethoven's 'Missa Solemnis' and the landscapes of Caspar David!Friedrich
Dolp, Laura
JOURNAL OF MUSICOLOGICAL RESEARCH, 2008, 27 (03) : 205 - 225
[4] ZWISCHEN-ERDE-UND-HIMMEL - KLEIST AND VISUAL-ARTS, WITH SPECIAL REFERENCE TO FRIEDRICH,CASPAR,DAVID
BROWN, HM
GERMAN LIFE AND LETTERS, 1978, 31 (02) : 157 - 166
[5] Redefined Reality Caspar David Friedrich's Theology of Image between Late Orthodoxy and Early Romanticism
Neddens, Christian
ZEITSCHRIFT DES DEUTSCHEN VEREINS FUR KUNSTWISSENSCHAFT, 2020, 74 : 131 - 158
[6] "Believe me, if anyone feels the Value of your Pictures, it is me". - Notes on the Friendship between Caspar David Friedrich (1774-1840) and Carl Gustav Carus (1789-1869)
David, Matthias
Ulrich, Uwe Andreas
Ebert, Andreas D.
GEBURTSHILFE UND FRAUENHEILKUNDE, 2024, 84 (12) : 1104 - 1108
[7] Self-reflection of a half look-alike -: A comparison of stage landscape in Samuel!Beckett's drama En 'Attendant Gogot' with iconography by Caspar David!Friedrich -: Beckett's reception of Friedrich's art from the background of ambient correspondances between the topography of Mecklenburg and/or Vorpommern and Ireland from December 1936
Milz, M
ROMANISTISCHE ZEITSCHRIFT FUR LITERATURGESCHICHTE-CAHIERS D HISTOIRE DES LITTERATURES ROMANES, 2004, 28 (3-4): : 367 - 393

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