Zombies as an Allegory for Terrorism: Understanding the Social Impact of Post-9/11 Security Theatre and the Existential Threat of Terrorism through the Work of Mira Grant

被引:2
|
作者
Paige, Tamsin Phillipa [1 ,2 ,3 ]
机构
[1] Deakin Law Sch, Burwood, Australia
[2] UN Off Drugs & Crime, Maritime Crime, Vienna, Austria
[3] UNSW Canberra ADFA, Sch Humanities & Social Sci, Res Ctr Conflict & Soc, Canberra, ACT, Australia
关键词
Terrorism; security theatre; 9; 11; zombies; social control; fear; BORDER THEATER; SOCIOLOGY; STORIES;
D O I
10.1080/1535685X.2020.1776001
中图分类号
I [文学];
学科分类号
05 ;
摘要
This paper seeks to understand the impact upon society of "security theatre": being the proliferation of security legislation and processes, particularly in the context of airport security screening. Security theatre is a response to the ongoing threat of terrorist attack without warning since September 11, 2001. While as lawyers we have a clear understanding of the laws have been put in place in response to these issues, we often have very little real grasp of how these laws impact society at large. Responses to social change are often first documented in popular literature. This paper seeks to explore the social impact of security theatre through examining bestselling popular literature that was intended as an allegory of these issues. Thus, the approach taken is to use such literature as a sociological text to provide insight into social responses. To that end Mira Grant's apocalypticNewsfleshtrilogy and interviews with Grant about these topics within the books will be analysed and explored with a view to understanding the social impact of security theatre. My hope that we gain greater insight into the social perception of these issues, and the ability to view them from a different perspective.
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页码:119 / 140
页数:22
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