Landscapes of musical metaphor and musical learning: the example of jazz education

被引:1
作者
Bjerstedt, Sven [1 ]
机构
[1] Lund Univ, Malmo Theatre Acad, S-22100 Lund, Sweden
关键词
jazz education; jazz improvisation; storytelling; landscape of musical metaphor; landscape of musical learning;
D O I
10.1080/14613808.2015.1025733
中图分类号
G40 [教育学];
学科分类号
040101 ; 120403 ;
摘要
Theoretical approaches to learning in practice-based jazz improvisation contexts include situated learning and ecological perspectives. This article focuses on how interest-driven, self-sustaining jazz learning activities can be matched against the results of a recent Swedish investigation based on extensive qualitative interviews with jazz musicians regarding their views on the metaphor storytelling' and its relevance in the field of jazz improvisation. In order to visualise and discuss the educational implications of the results of this study, the notions of a landscape of musical metaphor and a corresponding landscape of musical learning are presented and discussed.
引用
收藏
页码:499 / 511
页数:13
相关论文
共 32 条
  • [1] Ake David., 2010, Jazz Matters: Sound, Place, and Time Since Bebop
  • [2] [Anonymous], 1986, The EcologicalApproach toVisual Perception
  • [3] [Anonymous], 1988, IMPERFECT ART REFLEC
  • [4] [Anonymous], 1993, EDUC TECHNOL
  • [5] [Anonymous], 2002, MUSICAL PERFORMANCE
  • [6] Bailey Derek., 1993, Improvisation: Its Nature and Practice in Music
  • [7] Interest and self-sustained learning as catalysts of development: A learning ecology perspective
    Barron, Brigid
    [J]. HUMAN DEVELOPMENT, 2006, 49 (04) : 193 - 224
  • [8] BERLINER P., 1994, Thinking in Jazz: The Infinite Art of Improvisation
  • [9] Bjerstedt Sven., 2014, Storytelling in jazz improvisation: Implications of a Rich Intermedial Metaphor
  • [10] Boyce-Tillman J., 2004, PHILOS MUSIC EDUC RE, V12, P102, DOI DOI 10.1353/PME.2005.0013