Perception of old musical instruments

被引:3
作者
Vaiedelich, Stephane [1 ]
Fritz, Claudia [2 ]
机构
[1] Musee Mus, Equipe Conservat Rech, Cite Mus Philharmonie, F-75019 Paris, France
[2] UPMC Univ Paris 06, Sorbonne Univ, CNRS, UMR 7190,Inst Jean Le Rond dAlembert, F-75005 Paris, France
关键词
Musical instrument; Old instrument; Perception; Museum; VIOLINS;
D O I
10.1016/j.culher.2017.02.014
中图分类号
K85 [文物考古];
学科分类号
0601 ;
摘要
Defining what is an old instruments is complex. In a general way, we can distinguish two categories of old instruments. On one hand, there are the instruments which are not or barely in use nowadays. Due to a period of abandonment, those instruments are representative of an epoch different from ours and can be relatively easily dated. On the other hand, there are the instruments which are still being played despite having been made a few centuries ago. Time and use have usually given them a patina, so they are perceived as old in terms of visual aspect, but they have usually been modified as well and so they can be perceived as contemporary in terms of sound. Do we understand an old instrument by hearing it? Do we actually even need to hear it to understand it? This article is meant to provide some thoughts on the sequestions, to highlight the links between sight and hearing in our perception of a musical instrument and to illustrate how documentation and scientific knowledge can influence this perception. 1 (C) 2017 Elsevier Masson SAS. All rights reserved.
引用
收藏
页码:S2 / S7
页数:6
相关论文
共 50 条
  • [21] Perception of Western Musical Modes: A Chinese Study
    Fang, Lele
    Shang, Junchen
    Chen, Nan
    FRONTIERS IN PSYCHOLOGY, 2017, 8
  • [23] Allergic contact dermatitis to woods of the genus Dalbergia in musical instruments
    Gamboa, Pedro M.
    Sanchez de Vicente, Javier
    Segurola, Aritza
    Galan, Cristina
    Escalera, Lucy Monica Perez
    Arrien, Angel
    Jauregui, Ignacio
    CONTACT DERMATITIS, 2024, 91 (04) : 317 - 320
  • [25] A Guarneri violin in the attic: the power of dendrochronology for analysing musical instruments
    Mauro Bernabei
    Heritage Science, 9
  • [26] Comparison and Analysis of Timbre Fusion for Chinese and Western Musical Instruments
    Liu, Jingyu
    Wang, Shuang
    Xiang, Yanyin
    Jiang, Jian
    Jiang, Yujian
    Lan, Jing
    FRONTIERS IN PSYCHOLOGY, 2022, 13
  • [27] Comparisons of aerosol generation across different musical instruments and loudness
    Tian, Jianghan
    Symons, Henry E.
    Watson, Natalie A.
    Archer, Justice
    Mccarthy, Lauren P.
    Harrison, Joshua
    Kittle, Malcolm
    Browne, William J.
    Saccente-Kennedy, Brian
    Epstein, Ruth
    Orton, Christopher M.
    Calder, James D.
    Shah, Pallav L.
    Costello, Declan
    Reid, Jonathan P.
    Bzdek, Bryan R.
    JOURNAL OF AEROSOL SCIENCE, 2024, 177
  • [28] Sounding Objects: Musical Instruments, Poetry and Art in Renaissance France
    McGowan, Margaret M.
    INTERNATIONAL JOURNAL OF THE CLASSICAL TRADITION, 2009, 16 (3-4) : 606 - 608
  • [29] The Creation of an Integrated Set of Musical Instruments for Mentally Disabled Children
    Rodsakan, Tepika
    Binson, Bussakorn
    JOURNAL OF URBAN CULTURE RESEARCH, 2014, 9 : 68 - 77
  • [30] Elemental analysis as statistical preliminary study of historical musical instruments
    Fichera, G., V
    Rovetta, T.
    Fiocco, G.
    Alberti, G.
    Invernizzi, C.
    Licchelli, M.
    Malagodi, M.
    MICROCHEMICAL JOURNAL, 2018, 137 : 309 - 317